I'm re-reading the Lattimore translation of the Illiad - and it's wonderful. When I read it in school, it was work. Now, I'm caught up in the language, the imagery, the violence. Still a heck of a read. It's a textbook of how to make characters come alive. Use a tag with a name - like strong-greaved Achilles- and keep it going until you can't think of the character or see his name without the extra descriptor. The descriptor gives a visual image that is many instances is almost cinematic.
A friend recommended TYRANT on FX. We could only start with the fourth episode, but boy howdy. Nothing like it on TV that I know of. I'm going to have to hunt down the first three, but I have an idea what's happened so far. RAY DONOVAN is going slowly - I don't have much time for TV, but Season 1 is so original, I wish I'd written the character.
I miss comedies of the old days, like The Dick Van Dyke Show. Network TV then hired the best writers. I've always thought comedy is harder to write than anything else in the world. I'm beginning to believe only tortured souls can write truly great comedy. Jonathan Winters, Robin Williams, RIP. I find writing humor to be nothing but torture. Sometimes I can catch a quirky phrase that sounds at least amusing, but that's as far as my talent goes.
Our former governor continues to deny any wrong doing in his acceptance of money and gifts from a corporate bigwig. The whole story is so sordid and embarrassing, I don't know how he can get on the stand to testify. I'd have accepted a plea deal for a hundred years in prison, if it would have spared my children and wife this public humiliation. I can't imagine how his wife has retained her sanity, unless she really is crazy already. Totally possible.