My youngest, known as Princess Mousey because of her ability to pick out the mouse on every page of GOODNIGHT MOON, turns 26 on the 24th. I can't believe she's that old! It seems like yesterday that she popped out so quickly, she landed on her head. Yes, you read that right. You've never seen so many people scramble so fast to grab a baby off the floor. I had no idea that contraction was going to be so effective, LOL I was just doing my thing, pacing the floor, trying to hurry things up. Guess I succeeded.
The good news is, she's smart, funny, and a great daughter, sister and niece. Happy birthday, Princess Mousey!
Thursday, January 23, 2014
Wednesday, January 22, 2014
Writers and Voice
So I'm back to watching American Idol. After being away for a few years, I'm pleasantly surprised. The judges, Keith Urban, Jennifer Lopez, and Harry Connick, Jr., are all insightful and unfailingly polite and kind. . even to try-outers who don't deserve it. What I really like is how they try to help those who need a push in another direction.
What I've noticed, too, is how much they're swayed by a distinctive style, be it in the choice of outfit, how the hopefuls present themselves, and how they perform a song. Jennifer Lopez said tonight she was impressed with one try-outer's rendition of a familiar song, making it her own. They look for a unique package, one that's not mundane or "safe." Hmmm, makes me think of writers, and how they present themselves.
With us, it's called "voice." It's something that comes from deep within you, and you can either fight it (which never works), or you can throw it down and see where it takes you. Can you imagine Elmore Leonard writing in a style different from the one we have read for a long time now? Or Lee Child? There's that elusive quality that goes beyond good writing and great storytelling into the ephemeral that makes a writer stand out.
Not every writer with this unique quality will appeal to everyone. I'm going to quit reading a book now (which shall remain nameless, because it's well-reviewed and clearly a labor of love), because I can't stand the author's voice. Just rubs me the wrong way. The good news is, I'm not apathetic. The bad news is, I'm quitting on the book. Something I never do, by the way. But I have to give the author props for rising above the ho-hum.
So many books are workmanlike. Well crafted. Solid story. But they don't have that spark, that voice that tells me this author knows exactly who she is as a writer and isn't afraid to show it.
What I've noticed, too, is how much they're swayed by a distinctive style, be it in the choice of outfit, how the hopefuls present themselves, and how they perform a song. Jennifer Lopez said tonight she was impressed with one try-outer's rendition of a familiar song, making it her own. They look for a unique package, one that's not mundane or "safe." Hmmm, makes me think of writers, and how they present themselves.
With us, it's called "voice." It's something that comes from deep within you, and you can either fight it (which never works), or you can throw it down and see where it takes you. Can you imagine Elmore Leonard writing in a style different from the one we have read for a long time now? Or Lee Child? There's that elusive quality that goes beyond good writing and great storytelling into the ephemeral that makes a writer stand out.
Not every writer with this unique quality will appeal to everyone. I'm going to quit reading a book now (which shall remain nameless, because it's well-reviewed and clearly a labor of love), because I can't stand the author's voice. Just rubs me the wrong way. The good news is, I'm not apathetic. The bad news is, I'm quitting on the book. Something I never do, by the way. But I have to give the author props for rising above the ho-hum.
So many books are workmanlike. Well crafted. Solid story. But they don't have that spark, that voice that tells me this author knows exactly who she is as a writer and isn't afraid to show it.
Friday, January 10, 2014
A Coup for the Duke
I've never done this before, but for some reason I felt like I should put up the first chapter of the new romance. Let me know what you think!
The tall, powerfully built man in deerskins
stared at the polished brass knocker and hesitated. The large townhouse presented its
aristocratic face to the quiet street.
Few carriages would be about at this hour of the morning, for their
owners generally slept late. Freshly
washed windows sparkled, the gray stones solid and unmarred by the harshness of
a London winter rose three stories high.
Spring was wending its magic path here, in the wealthy section of
London. He glimpsed fresh hothouse
flowers in a vase through one of the windows, a harbinger of those nature would
force from the earth. Straightening his
shoulders, the man raised his arm and with one blunt finger touched the
gleaming knocker on the front door. Nothing had changed about his London home,
at least not outwardly. Only he knew the
sheer act of will that had forced him to come this far.
His
tanned hand, black tattoos across the wrist exposed at the end of the fringed
sleeve, hesitated only briefly. He
dropped the brass handle with a solid push.
Valentine, the Duke of Devore, was home.
Stooping to pick up his sack, he hoisted the
beaded and fringed deerskin to his shoulders.
It held all that remained of his life fur trapping in America, all that
linked him to the freedom of the past five years. His fingers tightened on the straps.
Felders answered the door, his hooked nose
lifting just the right amount as he stared, eyeball to eyeball, with the tall,
sun-darkened stranger with black hair sweeping his shoulders. Trade beads in red and blue swirls and lines
adorned his leathered shoulders, catching the weak London sun. Felders’ eyebrows matched the angle of his
nostrils as he gave the beggar a second glance.
“If you require food, inquire at the rear
entrance. Cook will see to your
needs.” The large door began to swing
shut.
Valentine jammed an arm between it and the
jamb. “Tell the Duchess the Duke has
returned,” he snapped in clipped tones.
“And have someone get my chamber ready immediately.” Thrusting his pack
into Felder’s stomach, he watched in satisfaction as the butler’s jaw fell.
“Your Grace?”
Felders never uttered a word in less than a stentorian tone, but these
two sounded close to a mousey squeak.
“It can’t be.”
“Sorry to say, it is. A bath too.
As quickly as you can arrange it.”
Valentine strode past the butler, his easy grace emphasized by his long,
lithe figure. But there was a bulk now
to the shoulders, muscles in the arms, a powerful tilt to his head that hadn’t
been there when he’d sailed for the Americas.
He paused inside for a second to glance at the London house he hadn’t
allowed himself to think about for five years.
His mother had held court here all his life. The memories weren’t pleasant, for she’d
never loved him. He wasn’t Simon, his
elder brother, and she’d never let him forget it.
His
life was in America. Not here.
The black and white tiles of the entrance way
sparkled with new wax. The wallpaper
shone with gilt highlights. Silver
sconces held expensive beeswax candles. Crepe
didn’t shroud the ornate French mirror, Valentine noticed. Mourning for his dead elder brother would
have ended months ago, long before he received the letter at the trading post
informing him that he must return to England to assume the ducal mantle. He forced down the feeling of panic the news
had engendered.
Housemaids scurried by the front hall, hands
to their lips, eyes wide, some clutching aprons to their cheeks as if they
feared a savage had been loosed among them.
“I don’t bite. I may lift a scalp or two,
however, if I don’t get something to eat,” Valentine growled. He flashed white teeth in a grimace that
passed for a smile. His teasing fell on
ears which hadn’t heard his voice in so long, they still didn’t believe it was
he.
“Wickens, have cook prepare a tray to take up
to his Grace’s chambers. Trevor, set the
fire in his rooms, Mary, carry up his Grace’s, um, luggage.” Felders passed the deerskin bag to the
youngest maid. “I’ll tell her Grace
you’re home.”
“No need.”
The Dowager Duchess, Lydia, descended the staircase, one pale hand on
the banister the only sign she felt any shock at all at seeing her only
surviving child. Her silk morning gown
rustled as everyone in the grand foyer held their breaths to see how mother would
greet son. Many of the servants remembered clearly the days when she would have
ignored him as if he were a floor beneath her feet. A particularly dirty floor.
Valentine swept her a perfectly correct bow,
the fringe on his sleeve fluttering with the gesture. “Madam, my compliments.”
Floating to where he stood rooted, she
presented him with one faintly powdered cheek.
“Don’t you know a civilized man never makes an appearance before noon?
Or has your time among the savages robbed you of all your training in
etiquette?” A faint smile crossed her
lips, more than Valentine had ever seen her bestow on him before. As a child, he’d never been able to please
her. When he was an adolescent, she’d
done all she could to make his life miserable.
He’d fought back the only way he could, with words aimed to hurt her and
her favorite, Simon.
Valentine reined in the old urge to lash out
at the woman who’d birthed him and who’d had no use for him until now, when the
ducal heir was most unexpectedly dead.
“I can only hope,” he mocked. “My
time among the savages, as you call them, was most elucidating.”
One plucked eyebrow rose as his mother
allowed him a score for that remark.
“Well, well, not so changed after all.”
“You would be amazed.”
The duchess turned to Felders. “His Grace will have luncheon in my
room. Send for Mr. Weston’s assistant,
and let me know when he arrives.” She
turned to Valentine. “Shall we talk? I’m
sure Cook will have your tray ready as soon as we leave everyone to get on with
their work. After you bathe, of course. You’ll
need a new wardrobe, fashions have changed since you left us.”
With that subtle admonition, the dowager
duchess cracked her invisible whip over her gawking servants. The action that rippled from her command
reminded Valentine of the Algonquin organizing for battle. Valentine trailed her up the stairs, feeling
the cold marble through the thin soles of his moccasins. Everything about the
house bespoke of power, good taste, and an ancient bloodline. Of which he was the last. His mother may have possessed the coin that
paid for the power and good taste, but she needed him to maintain the image of
the ducal duchess.
Once into the dowager duchess’ powder blue
and silver bedroom, Valentine waited until his mother had seated herself at her
dressing table. This room had been
forbidden him as a child. Often, he’d wonder what games she played
with Simon, as their laughter rode under the door into the hallway, where he
lay on the floor, trying to peek through the crack into the magic world where
he wasn’t allowed. He’d braved crossing
her several times, sneaking in when she was out, avoiding the servants who
would tattle on him if they’d seen him touching her silver mirror, the azure
silk of her bed hangings. Had his father
ever felt welcome in that room? He’d
wondered often, for his father the duke avoided his wife as assiduously as she,
he.
Val almost touched the silken bed
hangings, now a soft sea green with persimmon colored tassels. She’d changed much since he’d left five years
ago. He wondered if the alterations were
all on the surface.
Waving aside her maid, Lady Lydia picked up a
gilt-backed brush and began to stroke her blonde hair. He wondered if silver strands would show upon
closer inspection. She’d been young,
seventeen, when Simon was born. He’d
come along six years later and she’d never spared him a glance from that moment
forward. Now she had to pay attention to
him, damn her.
Her back was as straight as if she wore her
stays under her dressing gown, her eyes in the mirror watching his face. He schooled himself to show no emotion.
“Leave us,” Lydia commanded her maid. The woman curtsied and backed from the room
as if ordered from the presence of Prince George. Valentine was aware her eyes never left him
for an instant. What did the woman think, that he was going to strike his
mother with a tomahawk? Turning his back
to the fire leaping in the grate, he graced the lady’s maid, Roberts he thought
he remembered was her name, with his fiercest stare. She squeaked, turned, and skipped from the
bedroom.
“Honestly, Valentine, stop torturing the
servants. You haven’t been home ten
seconds and you’re already behaving like a schoolboy.”
The smile that answered her didn’t come from
a schoolboy. “Just giving them what they
expect. There’d be nothing to discuss
below stairs if I didn’t set everyone quaking.”
“Well, stop it.” Lydia set the gilt-backed brush firmly on the
dressing table. Her still-beautiful
green eyes surveyed her younger son mercilessly. Spine as straight as a lodge pole, her figure
still curvy, she was an impressive-looking woman, Valentine realized
dispassionately. Before he’d escaped to
America, he’d seen as little as he could of his mother, who preferred the
company of her husband and his heir.
America had been a relief that Valentine hadn’t known he’d craved until
he was there. Valentine refused to
acknowledge her order.
“You took your time returning.” Her voice soft as silk, she could have been
discussing the weather, but Valentine could see the censure in her eyes. Censure and dislike, after all this time.
“Many pardons, dearest mama. Your missive, however, took several months to
reach the trading post, and I didn’t receive it until many more months after
that.”
“It really was quite thoughtless of you to go
so far away. Wouldn’t Italy have suited
you better?” Her green eyes ran from his
moccasins to his head. “At least you’d
have returned better dressed.”
He refused to quake at the disdain he
heard. His shirt had been made by one of
the supreme bead stitchers in the tribe, and he wore it with pride. His history among the Algonquin could be read
by those who knew how in the patterns of porcupine quill and colored glass.
“No, the American Indians with whom I’ve been
living were more to my liking.” He
refused to say more about the tribe with which he’d become a blood brother, a
respected warrior.
“At least you’ve filled out, become more of a
... man. Weston shouldn’t have to pad
your shoulders.” Pleased with her observation, she turned once more to her
mirror and began to twist up a curl, which she pinned with studied accuracy.
“We’ll have to hold a ball. Something
small and tasteful, not too elaborate.
It’d look as though you were celebrating Simon’s demise. But large enough to show the ton you’ve come
back, and you’re now the Duke of Devore.
Inwardly, Valentine shook with distaste at
the thought of a ball. He hated the
social affairs that had sustained every waking hour of his father, then his
brother. Their neglect of the family
properties was legendary, but their toilette and social standing had never
suffered from lack of attention. Or
money. The duchess’ money.
“The only reason I returned at all, mama,
is to see if I can retrieve the Devore lands from complete and total ruin. I know your estate supported father and
Simon. But I intend to act as the Duke
of Devore should. I’ll return to
Hammersly tomorrow and have a talk with the estate agent.” He thought he sounded calm,
business-like. He knew he’d inflame her
with his plans, but he couldn’t hide them.
He still needed her, probably as much as she needed him. They both knew it, and hated it.
“A waste of time, mon petit fils.” A dab of rouge on the tip of one finger
gently caressed the duchess’ lips. “He’s
here now. I brought him to London when I
didn’t hear from you, in the event the title would have to go to your imbecile
of a cousin.”
Valentine’s eyes glinted. “Then I’ll see him now.”
The duchess’ shrewd gaze slipped from her
mirror to her son. “I’d recommend
dressing a bit more conventionally.
You’ll frighten the poor man into quitting.”
Valentine’s
face betrayed none of his annoyance.
“Convention is the least of my concerns.
I’m sure he’s being adequately compensated to tolerate my presence as I
am.”
Pivoting
silently on his deerskin moccasins, he crossed to the door with an effortless
grace that had the duchess raising one eyebrow.
“He is.
Remember you’re the Duke of Devore now.
Please behave as such.”
“As if I could ever be allowed to
forget.” With a bow that reminded the
duchess that he hadn’t forgotten his etiquette lessons, Valentine withdrew from
her presence. The chill in the corridor
cooled his back, hot from the crackling fire in the grate. He’d forgotten how
hot she kept her chambers.
Shivering, he told himself it was the damp
English spring that seeped into his bones with an oppression he couldn’t shake.
Winter snows in the mountains of America
hadn’t been this cold. Hardened to
outdoor changes in climate, he’d seldom noted whether it was hot, damp, humid,
or dry. Now though, he longed for his
buffalo robe and a bowl of hot pemmican stew as if it were the heart of a
killing winter and his lodge the only place safe for anything without fur for
covering and a hole in which to hide.
His mother had never touched him. Not a finger to his face to ascertain that it
was truly he. Not a peck on the
cheek. No embrace. No smile of recognition.
He was the Duke of Devore, and that was all
that mattered to the Dowager Duchess. He
couldn’t wait to see what she had planned for him. Because he was going to enjoy thwarting her
more than he’d loved fur trapping in America.
Monday, January 06, 2014
New book cover!
Many thanks to Jessie Gemmer for another beautiful cover. Now to finish the edits!
This an historical romance - Regency England. I'm a fish out of water in this milieu, but being a huge Georgette Heyer and Jane Austen fan, I hope I pulled it off.
This an historical romance - Regency England. I'm a fish out of water in this milieu, but being a huge Georgette Heyer and Jane Austen fan, I hope I pulled it off.
Thursday, January 02, 2014
New Year's Day and a Bad Book
Technically, it's the 2nd, but I'm still on a roll, so it's the 1st in my world. We dragged ourselves out from under the covers early so we could continue our annual tradition of attending an auction. Yes, we spend the day bidding on other people's unwanted items. As if we don't have enough stuff already.
It's always fun, even when we don't buy much, just from the people-watching aspect. Characters abound, from the guy in the work-worn overalls spending BIG money on objects like a six foot bronze Indian figure, to the rodeo queen type goading her DH to bid on a four karat diamond ring. I restrained myself, but barely. The check we wrote wasn't outrageous, she said sheepishly. It's just part of our family tradition.
On another note, I never throw books in the trash. I figure there's a book for every reader, so who am I to judge? Let me tell you, Fern Michaels did herself no favors by selling her 1999 book to Zebra for a reprint. They renamed it Christmas at Tanglewood (I think, I've tried to scrub it from my memory), with a shiny Christmasy cover, and I fell for it. Not only was it horribly dated, with a few feeble sentences to try to bring it into the 21st century, but it had nothing to do with Christmas except the setting. And worst of all, it was a bad romance. Cardboard cliched characters. Just awful.
However, I learned a good lesson. I am NOT going to do any re-dos of my older books unless I am sure they're current and among my best work.
Oh, there's another auction this Saturday. . .maybe I can put off getting the Santas back in the attic. Right now they're massed on the living room sofa, planning a revolt.
It's always fun, even when we don't buy much, just from the people-watching aspect. Characters abound, from the guy in the work-worn overalls spending BIG money on objects like a six foot bronze Indian figure, to the rodeo queen type goading her DH to bid on a four karat diamond ring. I restrained myself, but barely. The check we wrote wasn't outrageous, she said sheepishly. It's just part of our family tradition.
On another note, I never throw books in the trash. I figure there's a book for every reader, so who am I to judge? Let me tell you, Fern Michaels did herself no favors by selling her 1999 book to Zebra for a reprint. They renamed it Christmas at Tanglewood (I think, I've tried to scrub it from my memory), with a shiny Christmasy cover, and I fell for it. Not only was it horribly dated, with a few feeble sentences to try to bring it into the 21st century, but it had nothing to do with Christmas except the setting. And worst of all, it was a bad romance. Cardboard cliched characters. Just awful.
However, I learned a good lesson. I am NOT going to do any re-dos of my older books unless I am sure they're current and among my best work.
Oh, there's another auction this Saturday. . .maybe I can put off getting the Santas back in the attic. Right now they're massed on the living room sofa, planning a revolt.
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